Categories IndieWire ‘On Falling’ Review: A Quietly Devastating Debut Introduces an Emotionally Sophisticated New Master of Social Realism
Categories IndieWire ‘Stranger Eyes’ Review: Singaporean Surveillance Crime Thriller Morphs Into a Moving Meditation on Our Human Dislocation from Each Other
Categories IndieWire ‘Beetlejuice Beetlejuice’ Review: Tim Burton’s Delightfully Inventive Sequel Stays Loyal to Original Cult Classic While Deepening Human Stakes
Categories IndieWire ‘All We Imagine as Light’ Review: India’s First Cannes Competition Title in 30 Years Is a Sensual Triumph
Categories IndieWire ‘To a Land Unknown’ Review: This Palestinian Twist on ‘Midnight Cowboy’ Is Full of Masterful Storytelling and Wrenching Humanity
Categories IndieWire ‘All the Beauty and the Bloodshed’ Review: Nan Goldin’s Remarkable Life Gets a Towering Film Befitting It
Categories IndieWire ‘Blonde’ Review: Andrew Dominik’s Miserable Marilyn Monroe Portrait Only Further Tarnishes the Star
Categories IndieWire ‘Saint Omer’ Review: Alice Diop Reorients a Horrifying True Crime in Her First Narrative Outing
Categories IndieWire ‘Piaffe’ Review: A Horse’s Tail Invokes a Sexual Awakening in Thrilling New Erotic Cinema Entry
Categories IndieWire Kier-La Janisse: In the World of Horror, Sometimes Being a ‘Crazy Woman’ Has Its Advantages
