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Sophie Monks Kaufman

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No, Promising Young Woman isn’t style over substance. The style is the substance

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The Making of the Genocidal Mind
Cinema for Gaza and Creative Solidarity Towards a Free Palestine
‘On Falling’ Review: A Quietly Devastating Debut Introduces an Emotionally Sophisticated New Master of Social Realism
‘Stranger Eyes’ Review: Singaporean Surveillance Crime Thriller Morphs Into a Moving Meditation on Our Human Dislocation from Each Other
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A WordPress Commenter on When More Than 5,000 Workers Resisted Rupert Murdoch’s UK Media Takeover

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